Notes on Looking

I think that when I first began to visit galleries and museums regularly, I would spend as much time reading as looking at the art: the art descriptions, whether in sheets of descriptions and lists or wall labels, were read for whatever information or insight they might give.  I could spend three hours or more at a museum, seeing each thing, reading about each thing, and leave exhausted, my eyes red, my legs stiff.  It took time—maybe years—for me to begin to relax, and just look at the art, allowing what was interesting to hold my attention, and what was not as something I could pass quickly and guiltlessly.  If I wanted more information than what was on the canvas—if I had an additional question—then I would read what was available.  What caught my attention during one visit might be the same thing that attracted me during the next visit—or not.  My visits became much shorter, more frequent, more entertaining, more intellectually engaging.  I thought more about what I was seeing, and I felt a greater transmission of energy from the work to me: the work of Rembrandt, Cezanne, Monet, Thomas Eakins, Gaugin, John Singer Sargent, Picasso, Edward Hopper, Wilfredo Lam, Larry Rivers, Jasper Johns, Eric Fischl, many others.  I could be held by a small detail or a large vision, a face, a figure, a landscape, a color or a form, an atmosphere or a mood.  Finally, seeing art became as much a spiritual as aesthetic experience.  It can be hard to convey that to people for whom art is an alien enterprise.  When you recommend art, they can respond as if you are advocating education, pretension, or tedium, rather than pleasure.  That is very sad, but understandable.  Looking at art can be a strange experience, whether or not you have taken classes in art.  Each piece is different, each thing may be telling you something unique; and so many of our responses are conditioned by habit.  Being open is key.

There are artists I like but would like to know more about: among others, Jan Van Eyck, Paulo Uccello, Domenico Ghirlandaio, Albrecht Durer, Antonia da Corregio, Paolo Veronese, Annibale Carraci, Diego Velazquez, Claude Lorraine, Canaletto, Joshua Reynolds, Goya, Jacques-Louis David, J.M.W. Turner, John Constable, Theo Gericault, Eugene Delacroix, Adolph Menzel, Gustave Courbet, Camille Pissarro, Edgar Degas, Alfred Sisley, Gwen John, Paul Klee, Max Beckmann, Robert Delauney, Max Ernst, Rufino Tamayo, David Smith, Sigmar Polke, Chris Ofili, Jenny Saville, and Shirana Shahbazi.

Green Lantern vs. Captain America

It seems that Ryan Reynolds is directed as Hal, on whom special cosmic duties are thrust, by Martin Campbell, in the movie Green Lantern to hit expected heroic and sentimental notes, one key to the more formulaic aspects of the movie (the early childhood trauma of a pilot father’s death producing obvious, sustained moments of professional and personal paralysis; and the assurances of safety and stability given to a young boy, a nephew).  Reynolds has shown himself able to evade those predictable moments with fresh acting in other movies; among them, Definitely, Maybe and The Proposal and The Change-Up.  Yet, Reynolds remains likable enough for the viewer to tolerate these instances of bland stiffness.  Chris Evans, good in Push and The Loss of a Teardrop Diamond and another hero film franchise, seems to be allowed by Joe Johnston in Captain America both sensitivity and intelligence as well as heroic resources, and that seems the key to a more fluid, satisfying movie (as a physical weakling given a new body to fulfill his desire to serve his country, Evans thinks idiosyncratically and responds emotionally and maintains purpose; for instance, jumping on a grenade to protect others while more muscular men hide).  Both movies are entertaining, and the sensuous Blake Lively as a pilot and manager is vivid in Green Lantern and Peter Sarsgaard as a beleaguered scientist has some good moments (his quietly spoken welcome to the alien may be the sweetest thing in the movie).  Hayley Atwell as a woman military officer and friend and Stanley Tucci as a doctor, and other actors, Tommy Lee Jones, Dominic Cooper, and Derek Luke among them, fill out the effective cast in Captain America.